Michael Jackson’s This Is It

Though adversely affected by the inherently low-rent nature of its footage, Michael Jackson’s This Is It primarily comes off as an intriguing look behind the scenes at Jackson’s attempts at staging a series of farewell shows – which, had he not died suddenly last June, would have clearly set a new standard for expensive, gleefully over-the-top concert experiences. It’s clear right from the outset that Jackson and his myriad of collaborators – including director Kenny Ortega – were looking to put on a show of almost staggering proportions, with the ongoing efforts of the show’s dancers, carpenters, lighting technicians, and the like at bringing the King of Pop’s grandiose vision to life augmented by rehearsal footage that’s generally far more compelling than it has any right to be (and it subsequently goes without saying that Jackson’s inherently charismatic screen presence often compensates for the jittery, shot-on-the-fly visuals). As fascinating as the backstage stuff is, however, there’s little doubt that it’s the music that ultimately justifies Michael Jackson’s This Is It‘s existence and ensures that the film remains a must for fans of the deceased singer – as Jackson performs many of the tunes with which he’s closely associated, including “Thriller,” “Billie Jean,” and “Black or White.” It’s also worth noting that the emphasis on Jackson’s hands-on approach to the production provides a rare glimpse into his closely-guarded public persona, which, when coupled with the opportunity to hear these classic songs one last time, cements the movie’s place as a fitting swan song for one of the music industry’s most notorious and downright tragic figures.

*** out of ****