The International

Though it boasts a plot that’s often impossible to comfortably follow, The International nevertheless establishes itself as an exceptional thriller that’s consistently elevated by the uniformly superb performances and Tom Tykwer’s subdued yet stylish directorial choices. The movie follows Interpol Agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts) as they attempt to bring one of the world’s most powerful (and ruthless) banks to justice, with their ongoing efforts hindered by a number of exceedingly sinister figures – including the bank’s chairman (Ulrich Thomsen’s Jonas Skarssen) and a mysterious, nameless assassin (Brían F. O’Byrne). It’s an admittedly dry premise that’s employed to unexpectedly enthralling effect by Tykwer, as the filmmaker does a superb job of drawing the viewer into the proceedings right from the get-go – with the inclusion of several genuinely thrilling set-pieces subsequently proving an effective counterbalance to the dialogue-heavy atmosphere. Owen’s magnetic turn as the film’s perpetually exhausted protagonist certainly plays a key role in The International‘s undeniable success, with the actor’s stirring work effortlessly matched by an eclectic supporting cast that includes James Rebhorn, Ben Whishaw, and Jack McGee. There’s little doubt, however, that the movie’s highlight comes in the form of a jaw-dropping, downright indelible shootout that transpires within Manhattan’s Guggenheim Museum, as Tykwer offers up an electrifying interlude that instantly earns a place for itself within the pantheon of all-time great action sequences and offers more real thrills than anything within all three Bourne movies combined. And although the narrative hits a bit of a lull in the minutes following that blistering confrontation, The International recovers nicely for a perfectly-conceived finale that cements the film’s place as a smart and thoroughly entertaining piece of work.

***1/2 out of ****